A superbly constructed and written, excellently directed and wonderfully acted film. The filmmaker came of age in Lebanon in the 1980s when the country was riven by civil war. After an emotional exchange between a Lebanese Christian and a Palestinian refugee escalates, the men end up in a court case that gets national attention. [3] At Venice, Kamel El Basha won the Volpi Cup for Best Actor. It makes the film look like a simple tragic drama; in fact The Insult builds on its intriguing premise of a simple insult escalating, and balances feelings of remorse, tensions and even comedy and absurdity in a brisk tone and style. Doueiri masterfully takes this private clash of wills as a starting point to explore historic rifts amongst Lebanese communities, and the aftermath of the civil war. The film is even-handed in depicting the factions. Now that I've seen it, I realized that it should've been the first! The film shows how, even long after war, people Sub-titled movies usually don’t interest us, but we wanted to see this movie because we felt it would explain the situation in Lebanon between the Lebanese and the refugees, and it did. Even the smallest of incidents carry unseen baggage. In the lawyers' summary, each makes the other's case. Like his 2012 terrorism-themed drama “The Attack,” which he filmed in Israel and was duly arrested in Lebanon for that act, “The Insult” shows that he’s a gutsy filmmaker who not only will venture where others fear to tread but also has skills that put him on a par with any A-list Hollywood writer/director. A knowledge of Middle Eastern politics certainly helps aid the viewing experience, but, even with not knowing all the details, the essence of the conflicts -- and the message of the film -- nonetheless come through loud and clear (sometimes even a little more so than one might want). The poster for The Insult, nominated for the Academy Award for Best Foreign Film, doesn't quite do the product justice. The first thing I did is I called my mom, because my mother actually was the legal consultant on the movie,” The Insult director Ziad Doueiri said recently,… After an emotional exchange between a Lebanese Christian and a Palestinian refugee escalates, the men end up in a court case that gets national attention. brings the story of Tony, a Christian Lebanese, and Yasser, a Palestine refugee and long-time resident of Lebanon. Doueiri is a superb director. Synopsis Both men prove victims of their respective people's history. La película comienza aclarando que todo lo que vamos a ver no refleja la postura de ningún partido político, pero claro, este termina siendo un aviso inútil que se termina contradiciendo con escenas que reflejan de una magnifica manera la realidad que los inmigrantes viven. What makes it interesting is that, to become witnesses of the problem without. The film shows how, even long after war, people are still very wounded and react in ways that if they don’t change, recovery is impossible. This film is definitely worth a look, but save it for a time when you're prepared for an introspective look at world events and the human conditions that instigate them. Story wise and execution: 35/35 Con una intención clara que no deja insatisfecho ni indiferente a nadie y muestra, por medio de la historia la situación que se vive en el medio oriente. The arguments in the courtroom inflame memories of the civil war, leading to clashes in the streets between Christians and Muslims. This generational tension replays the theme of moving on from the past. The story and the way it was structured was absolutely perfect. Daring, bold and smart, this movie is big step forward for the Lebanese cinema. “The Insult’s” narrative is propulsive, especially when the story focuses on two men arguing over so little. What a triumph! It was selected as the Lebanese entry for the Best Foreign Language Film and was nominated for the Oscar at the 90th Academy Awards. In retrospect, though, Doueiri believes events transpired in his favor. In short: it's one of the most intense Lebanese movies I've ever seen. As the movie opens, we see Tony at a rally of the Christian party in Beirut. And, how interchangeable the positions of religions are at interpreting the same events. It is specifically about Lebanon, but the kind of conflict it depicts, and the attitudes taken up by the antagonists, could and do flare up anywhere. In this context, it matters a lot. 'Case No. Tangled in the accompanying emotions are biases and stereotypes held by Lebanese Christians toward Palestinians who took refuge in Lebanon but also participated in wartime massacres. The acting is one of the best I've seen since "West Beirut" ! I haven't seen such a powerful movie in years. From his debut with West Beirut, Doueiri has proven a great cinema maker. The Insult ( 2017) The Insult. Both heroes - and their respective gangs of followers - carry the weight of history. David opted for a lucid dreaming cryogenic slumber. For that, Salameh hits him in the gut, assuring that the battle will have a bitter future in the legal arena. Netflix and Ryan Murphy's new adaptation of pioneering LGBTQ play The Boys in the Band is timely and timeless take on sexual identity and community. Nos presentan a. Apart from the trials, the principals' true reconciliation happens in two scenes outside the court, before the verdict. Just click the "Edit page" button at the bottom of the page or learn more in the Synopsis submission guide. The child is placed on life support, allegedly due to contractions Shirine experienced when she pulled up her husband and emotional shock at Yasser's assault. By Simon Gallagher Sep 30, 2020. What makes "The Insult" so good is the way Doueiri takes a seemingly ordinary situation and builds a web of suspense around it. With those major alternative theories out of the way, this leaves only the ending as explained by Tech Support. The film suggests that no one has a monopoly on suffering, but I disagree i.e. The second trial reaches the same conclusion but with more satisfactory effect. From secret wounds to traumatic revelations, the media circus surrounding the case puts Lebanon through a social explosion… When Palestinian Muslim foreman Yasser installs a new drainpipe on Lebanese Christian Tony's balcony without his permission, Tony's dislike of Palestinians triggers what appears to be a minor disagreement. The other man is urged by his boss to apologize so that everyone can move on. Notable Video Game Releases: New and Upcoming. At this point we are 10 min. La película maneja un ritmo tenso y tiene interpretaciones muy bien logradas. The Palestinian may be given the greater sympathy and he's played as a more thoughtful, flexible figure. Ziad Doueiri’s “The Insult,” which is shortlisted for the foreign-language film Oscar, plunges into the thicket of Lebanon’s sectarian divisions with a riveting courtroom drama that shows how even minor interpersonal tensions can boil over into national traumas. Doueiri worked hard on letting the actors give their best for the characters. THE INSULT- 90% The Insult is the definition of a great cinematic achievement. Addressing Universal Themes that Go Beyond the Conflicts in Lebanon. While a normal person can relate to Arthur Fleck, that's not the same as how a so-called incel might feel validated by the film. He later collapses, and Shirine helps pull him up, later giving birth. THE INSULT takes the opposite tack - a simple argument that escalates and threatens to de-stabilize the entire nation. Tony had not disclosed this to his own representation, and breaks down when Wajdi plays documentary footage of the event in the courtroom. His debut West Beirut has always been every Lebanese's favorite. We want to hear from you! |