: Carl Koch, Louis Hagen, Vivian Milroy, mus. Mary's Birthday. This made him an ideal collaborator on Reiniger’s films on which he was both camera operator and fellow animator.

3. Reiniger wrote the screenplays for her films and worked as a major contributor on a number of live action films, for example, as assistant director on films made by her husband Carl Koch. : Walther Ruttmann, Berthold Bartosch, Alexander Kardan, Walter C. Türck, Lore Leudesdorf (Comenius-Film G.m.b.H. (“designed by”): Lotte Reiniger, prod. Several specific collections at the British Film Institute hold material related to Reiniger: a detailed list of archival materials at British Film Institute, Special Collections.

Immediately embarking on the production of music films such as Zehn Minuten Mozart/Ten Minute Mozart (1930) with the advent of sound, she realized something quite new—highly condensed, parody films of well-known operas like Carmen (1933) and Papageno (1935), films that are most appealing to an audience familiar with those operas.

Dir./sc./anm.

Archive: Deutsches Filminstitut, Filmmuseum Landeshauptstadt Düsseldorf. “The Films of Lotte Reiniger.” Film Culture 9 (1956): 20. Dir./sc./anm: Lotte Reiniger, prod.

Pabst, spec.

: Louis Hagen (Primrose Film Productions London UK 1953 & 1964/65 & 1971), Aucassin et Nicolette (1974/75) via National Film Board of Canada's online Screening Room, Clip from Die Abenteuer des Prinzen AchmedfThe Adventures of Prince Achmed  (1923-1926).

: Alex Strasser, Lotte Reiniger, anm.

Carl Koch or Karl Koch (30 July 1892 in Nümbrecht, Germany – 1 December 1963 in Barnet, England) was a German film director and writer with many secondary credits including collaborations with his wife Lotte Reiniger, the animator of The Adventures of Prince Achmed (1926).. Koch is perhaps best known as assistant to Jean Renoir, who helped get Koch and Reiniger exit visas from Germany in 1936.

1935 Das Ornament des Verliebten Herzens. mgr. : Freddie Phillips (Primrose Productions UK 1953/1954) sd, b&w, 35mm, 942 ft. Archive: Deutsches Filminstitut, Huntley Film Archives.

length 1106 ft.). Dir./sc./anm: Lotte Reiniger, prod. Silhouette artwork and cut-outs by Lotte Reiniger, including silhouette artwork entitled The Dance in the Park (1956), signed by Reiniger and cut-outs of dancers from Swan Lake by Lotte Reiniger. Lotte Reiniger: 1899 - 1981 Schöpferin Einer Neuen Silhouettenkunst.

TMDb

: Lotte Reiniger, cam./contrib. DVD (British Film Institute UK 2008). Surprisingly, back in the capital, Reiniger succeeded in receiving a film commission, and the rather prolonged production of Die Goldene Gans (1944-1947) secured their daily bread. DVD (Stadtmuseum Tübingen Germany 2006) (includes DVD booklet published by Stadtmuseum Tübingen), Lotte Reiniger Collection. : Rochus Gliese, spec. Sammlungen.

Das Gestohlene Herz.

Before the end of 1939, Lotte had already completed her only Italian solo short, a film of Donizetti’s opera “L’Elisir d’Amore.” All three Italian film works were commissioned productions of Scalera Film S.p.a., Rome.

Drehbuch von Lotte Reiniger.

The figures were placed on an animation table and usually lit from below.

This is particularly the case with the nature and extent of Carl Koch's contribution, which is rarely established with certainty. : Carl Koch, Louis Hagen, Vivian Milroy, mus. Hänsel and Gretel/Hänsel und Gretel. Dir./sc./anm. Private Collection. Dir./performance: Lotte Reiniger, mus. Russett, Robert, and Cecile Starr. Galathea. Dir./sc./anm. [Nivea skin care products advertisement for Beiersdorf A.G. Hamburg]. Film data from TMDb. The Adventures of Prince Achmed. : Frank H.W.

Girolamo (possibly alternative title of Ritter Mönch und Liebe).

Films 856; Followers 127; Follow List. Aucassin and Nicolette/Aucassin et Nicolette.

DVD (British Film Institute UK 2001), The Adventures of Prince Achmed.

Dir./sc./anm./cam. Consequently, the archival filmography has an emphasis on film elements usually unavailable to the researcher, elements as close as possible to the origin of the film work, namely, the camera negative. DE 1922) si, b&w, tinted, 35mm (orig. Based on research in the the Lotte Reiniger Estate Collection in Tübingen: Der Diamant (perhaps part of Die Jagd nach dem Glück): --- Handwritten draft for a series, with sketches. : Richard Kaplan (Primrose Productions UK 1955) sd, col., 35mm, 1060 ft. Archive: BFI National Archive, Deutsches Filminstitut, Deutsche Kinemathek, Filmmuseum Landeshauptstadt Düsseldorf. Happ, Alfred, and Lotte Reiniger. Weaver, Randolph. Bochum: Deutsches Institut für Puppenspiel, 1978. (“designed by”): Lotte Reiniger, Carl Koch, prod: Vivian Milroy, Louis Hagen, mus: Freddie Phillips, ed. Courtesy of the British Film Institute. ---Typescript, 2 pages: A chapter of the Diamant series, Der Diamant auf Reisen.

: Carl Koch, Louis Hagen, Vivian Milroy, mus. Archive: Bundesarchiv-Filmarchiv (16mm, 328 ft.). length 906 ft). Here and There/Address Correctly/Addressing Letters Correctly. : Peter Gellhorn (Primrose Productions UK 1956) sd, col., 35mm, 1650 ft. Archive: .