IMDb Hollywood just want to earn money as usual. His human neighbors aren’t quite sure what to make of him. Middle-aged Hank’s gawking at Josie (visualized via England and DP Zoe White’s drooling zooms and pans) doesn’t go unnoticed by the motel’s other residents, namely nosey Martha (Robin Bartlett) and her husband, Gordie (Kurt Fuller), who has a habit of calling his neighbor “Hanky Panky.” Still, their warnings don’t deter Hank, especially considering that Josie shows interest in him as well. Hank’s neighbors, one of whom had nicknamed him “Hanky Panky” even before Josie had shown up on the scene, are increasingly concerned. I love Sophie in GOT but she should DEF pick better movies. The production quality and acting were ok - it was really just the plot that didn't satisfy me. Families can talk about the things that crime dramas and film noir movies tend to have in common. In doing so, she immediately lands on the radar of Hank (Dylan McDermott), a loner who does little other than fish, watch TV and monitor the local high school, where he frequently clashes with delinquent students Marcus (Jack Kilmer) and Gator (Daeg Faerch). Here are ten of the most disturbing sex scenes ever. Josie shows no remorse for this and just moves on to the next guard which really doesn't make sense, its not like they are responsible for her dad being convicted or that they enjoyed killing her father. Josie is literally worse than the people she's "taking revenge" on. FAQ I couldn't tell where it was going to lead, and was fully engaged with the characters. Save yourself 90 minutes and give something else a go. the story is uninteresting and the acting is so dull, there is nothing interesting in this one. Parents: Set preferences and get age-appropriate recommendations with Common Sense Media Plus. With a scruffy beard and a gravely southern drawl, he’s a compelling figure of hurt, self-loathing and foolish longing. Despite the pic’s firm sense of its ramshackle Southern milieu and its going-to-seed characters, director Eric England’s feature is a protracted tease, using a clichéd set-up — involving a young woman who deliberately catches the eye of a solitary older man — to promise criminal intrigue and thrills that never materialize. While eschewing genre formula is admirable, England’s tack proves enervating, since Hank and Josie generally feel like archetypes devoid of purpose. Sophie Turner’s obvious fake southern accent is extremely painful to listen to, I did like the setting I thought there were some okay …